[19] Finished drawing for door furniture for the great dining room in the Etruscan style, 1780-81

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Design and finished drawing for door furniture for the great dining room in the Etruscan style, 1780-81 (2)

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Reference number

SM Adam volume 25/75

Purpose

[19] Finished drawing for door furniture for the great dining room in the Etruscan style, 1780-81

Aspect

Elevation of a design for door furniture, drawn on a diagonal perspective. The oval lock is flanked by handles, and the whole is ornamented with calyx, bell flowers, rosettes and beading

Scale

full size

Inscribed

Duke of Cumberland

Signed and dated

1780-1781
date range: 1780-1781

Medium and dimensions

Pen, wash and coloured washes including black and yellow ochre on laid paper (183 x 205)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 2001, p. 11
For a full list of literature see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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