[6] Working drawing for the frieze for the great dining room, presumed to have been executed, 29 August 1780

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Working drawing for the frieze for the great dining room, presumed to have been executed, 29 August 1780 (1)

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Reference number

SM Adam volume 49/17

Purpose

[6] Working drawing for the frieze for the great dining room, presumed to have been executed, 29 August 1780

Aspect

Full size elevation of a detail of a frieze, composed of winged sphinxes, flanking an urn on a pedestal, anthemia, calyx, and flowers

Scale

full size

Inscribed

Frieze for the Great Dining room at Cumberland House / Pall Mall (in pencil)

Signed and dated

August 1780
Adelphi 29t August 1780

Medium and dimensions

Pen and coloured washes including yellow ochre and black on laid paper (301 x 710)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Stillman, 1966, pp. 78, 82
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).