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Reference number
Purpose
Aspect
Inscribed
Signed and dated
- April 29th 1799
Hand
Notes
This drawing shows the walls unplastered and the dome constructed up to the base of the lantern. It exposes the masonry structure of stone, brick and hollow-cone pots; only incombustible materials were employed. In SM volume 69/13 timber is clearly being used in the construction of the Trunk arch, however, this is only a temporary timber framework employed to support the central dome during its construction. When each brick is in place and the mortar has dried, the arch will be self-supporting and the timber centring can be dismantled. This drawing also shows that the base of the piers are tied together with underfloor wrought iron tye-rods for additional support.
The drawing was used as an illustration in Soane's twelfth Royal Academy lecture from the second series about construction on 12 March 1815. However, it was not intended as such but was drawn earlier as a record drawing and then later re-used as a lecture drawing. This assumption is firmly supported by the fact that it is dated 29 April 1799 which predates Soane's appointment as Professor of Architecture at the Royal Academy.
Literature
E. Schumann-Bacia, John Soane and the Bank of England, 1991, p. 70
M. Richardson & M. Stevens (eds), John Soane architect: master of space and light, Royal Academy of Arts, 1999, pp. 75-77 & 236-237
C. Woodward, Buildings in progress: Soane's views of construction, an exhibition catalogue for the Soane Gallery, 1995, pp. 11 & 18
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).