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  • image SM P13

Reference number

SM P13

Purpose

[1] Design A in a Neo-Classical style, December 1778 or early 1779

Aspect

ELEVATION AND PLAN OF A DOG HOUSE DESIGNED FOR A NOBLEMAN ROMAE 1778: the plan is triangular having 3 long concave sides and 3 short, straight sides enclosing a rotunda and all within a railed circular exercise yard; between each of 3 wings is a circular drinking basin. The elevation has a Pantheon-type dome and flanking each of the 3 entrances to the rotunda is a pair of attached Greek Doric columns. Six sculpted hounds guard the roof and another decorates the weathervane.

Scale

bar scale of ? to 10 feet (concealed by frame)

Inscribed

as above, plan labelled Dogs / 15 feet C---(illegible, Court ?), Bitches, Kennel man, warm lodg[ing] / 9'0" by 12, Green Yard 3 times, note Under the room for the Dogs the boiling room / from whence the Lodging for the sick is to receive / heat / Canal to run through each room arched over to keep the Apartments / clean

Signed and dated

  • 1778
    1778 (in title)

Medium and dimensions

n/a n/a (505 x 360 visible area within frame)

Hand

SOANE, Sir John (1754--1837), architect
Soane

Notes

Exhib: RA, 1781, No. 471

Literature

P. du Prey, 'Je n'oublieray jamais': John Soane and Downhill', Quarterly Bulletin of the Irish Georgian Society, XXI Nos 3&4, 1978, pp.19-20; D.Guinness, 'An Unpublished watercolour by James Malton from the collection of Desmond Guinness', Journal of the Irish Georgian Society, V, 2003, pp.226-237

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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