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You are here: CollectionsOnline  /  [26] Record drawing of alternative design for the Bullion Arch, October 1797
  • image Image 1 for SM 10/3/23
  • image Image 2 for SM 10/3/23
  • image Image 3 for SM 10/3/23
  • image Image 4 for SM 10/3/23
  • image Image 1 for SM 10/3/23
  • image Image 2 for SM 10/3/23
  • image Image 3 for SM 10/3/23
  • image Image 4 for SM 10/3/23

Reference number

SM 10/3/23

Purpose

[26] Record drawing of alternative design for the Bullion Arch, October 1797

Aspect

Sectional elevation showing an enclosed courtyard as in SM 10/3/21 having on its south face a projecting entrance between single columns and round plinths supporting lion statues, and to either side of the gate a semi-circular arched window of a smaller radius than the entrance; sheet includes a rough part-elevation of an attic panel flanked by single fluted pilasters capped by antefixes

Scale

bar scale

Inscribed

The Bank of England, Sketch of a Design for the South side of the "Lothbury Court" and with dimensions

Signed and dated

  • 1797

Hand

Soane office

Watermark

J Whatman 1794 and fleur-de-lis

Notes

This drawing, SM 10/3/20, SM 10/3/22 and SM 10/3/21 appear to be more developed variants of SM volume 60/15, SM volume 60/16, SM volume 60/11, SM volume 60/18, SM volume 60/17, SM volume 60/13, SM volume 60/12 and SM volume 60/10.

SM 10/3/20, SM 10/3/22 and SM 10/3/21 differ in the size and proportion of their windows, the inclusion of roundels and friezes, pencil additions and the incising on the attic pilasters. This drawing is a reversion to the single column arrangement of SM 10/3/5, SM 10/3/10, SM 10/3/9, SM 10/3/14 and SM 10/3/12, showing a design very similar to SM 10/3/14 but with smaller windows.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).