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  • image SM volume 74/3

Reference number

SM volume 74/3

Purpose

[25] Preliminary design for cellar

Aspect

Plan and [laid-out] Section on the line A B, Section on the line C D, Section on the line E F

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, The Bank of England, Cellar under Bank Stock Office, a key A B C D E F, with dimensions given

Signed and dated

  • datable to 1792

Medium and dimensions

Pen, pencil, pale red ink, sepia and yellow ochre washes, partly pricked for transfer on wove paper with four fold marks (495 x 590)

Hand

Soane office

Notes

This drawing is closest to the design of the cellar as executed (see SM volume 74/29, SM volume 74/21 and SM volume 74/37, with a four-bay centre aisle and seven-bay side aisles linked by corner openings. This is probably the original configuration of the existing cellar built by Taylor, except that this drawing also shows additional unexecuted openings between the centre and side aisles. Sketches in the left bay of the east-west section propose to lower the height of the side-vaulting to strengthen it for carrying the new hall.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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