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  • image SM volume 60/69

Reference number

SM volume 60/69


[235] Design for alterations to the lawn front, August 1810


Sketch of a Design for the alteration of the Lawn Front

Signed and dated

  • August 1810
    Ealing, ab[ou]t 1810

Medium and dimensions

Pen, olive green, terre verte, Naples yellow, cerulean blue, ochre, Payne's grey and sepia washes, watercolour technique within a six-ruled grey and black border, on wove paper (257 x 340)


Joseph Michael Gandy ARA (1771 - 1843), draughtsman


presently stuck down and not visible



Exhibition history

John Soane Architect: Master of Space and Light, Royal Academy of Arts, London, 11 September - 3 December 1999; Centro Palladio, Vicenza, April - August 2000; Hôtel de Rohan, Paris, January - April 2001; Canadian Centre for Architecture, Montreal, 16 May - 3 September 2001; Real Academia des Bellas Artes, Madrid, October - December 2001

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).