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  • image SM volume 42/174

Reference number

SM volume 42/174

Purpose

[67] Sketch copy of Dance's study for four-bay scheme with clerestory lunettes (SM volume 42/173), 19 February 1792

Aspect

Rough plan with the addition of free-standing columns in front of the centre aisle piers

Scale

1/10 inch to 1 foot (approximately)

Inscribed

Bank Stock Offices, 1792, dimensions given

Signed and dated

  • Feb. 19 92

Medium and dimensions

Brown pen, pencil, hatching, pricked for transfer on laid secretary paper with three fold marks (321 x 203)

Hand

Soane or Soane office

Watermark

Buttenshaw

Notes

The drawing is a copy of Dance's rough plan for a four-bay hall (SM volume 42/173). It was drawn on 19 February 1792, two months after Dance sent the original to Soane. However, free-standing columns have been added in front of the centre-aisle piers and an additional lantern has been placed in the north half-bay. Rooms are also incorrectly shown to the hall's east (in Bartholomew Lane), suggesting an initial mistake when copying Dance's plan. The drawing is attributed to Soane or his office based on its date and the different hatching from SM volume 42/173.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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