[63] Study for crossing with column-flue and stove

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1791-1801 Rebuilding of offices in the east wing and north-east extension (431)
      - Bank Stock Office, 1791-1793 (73)
        George Dance's studies, c. November 1791-February 1792 (16)

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Reference number

SM archive 14/80/4

Purpose

[63] Study for crossing with column-flue and stove

Aspect

Rough elevation, plan and interior perspective

Signed and dated

datable to 11 December 1791

Medium and dimensions

Brown pen, pencil and hatching on laid secretary paper with three fold marks (321 x 202)

Hand

George Dance (1741-1825)

Watermark

Britannia with spear, shield and olive branch in crowned roundel and a bell below, and part of W

Notes

The column-flue relates to the triple-lantern scheme studies of SM archive 14/80/2 and SM archive 14/80/3. The study is close to the preliminary designs Soane submitted to the Bank's directors on 24 November and 6 December 1791 (SM volume 74/1, SM volume 60/7, SM volume 74/18 and Bank of England Museum drawings M39 i-iv).

The drawing shows a column-flue articulated in two stages - the lower featuring simpler spiraling and the upper appearing more elaborate with a vegetal capital and radial vault similar to Dance's margin study in SM volume 74/1. Smoke rises whimsically from the chimney. Elsewhere on the drawing are a rough plan of the hall with the stove surrounded by counters, an elevation of the side aisles with segmental arches and an upward perspective into a radial vault.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).