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  • image Image 1 for SM volume 60/165
  • image Image 2 for SM volume 60/165
  • image Image 1 for SM volume 60/165
  • image Image 2 for SM volume 60/165

Reference number

SM volume 60/165

Purpose

[59] Early study

Aspect

Rough plans, interior perspectives, sections and decorative details and (verso) rough plans, longitudinal and transverse sections and details

Signed and dated

  • datable to November 1791

Medium and dimensions

Brown pen and pencil on thin wove paper (342 x 505)

Hand

George Dance (1741-1825)

Notes

Dance's first studies for the rebuilding of the Bank Stock Office explore various single and triple-domed plan alternatives, as well as decorative schemes for the arches and domes.

This drawing explores various planning and vaulting schemes. On the recto are studies for a hall with a single, great saucer dome flanked by barrel vaults and surmounted by a wide lantern, with a fireplace along the back wall, scrolled ornamentation in the dome, and floral capitals for the supporting piers (as in SM 10/4/19). Dance also sketched a structural section of the arch and dome junction, and a plan showing lines of parallel counters running in front of the long walls. The plan and sections on the verso depict a triple-domed alternative with barrel-vaulted side-aisles (like one of the perspectives in SM 10/4/19). The verso also contains plans for single-dome and double-dome alternatives. Dance's preference is probably for the monumental single-lantern dome scheme, though recognising that a triple-dome, basilican scheme would provide more light and a more appropriate character; the double-dome scheme represents a compromise.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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