[99] Progress drawing, July 1812

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - London: Dulwich Picture Gallery, Southwark for the Governors of Dulwich College, 1811-1813 (108)
    - Site progress drawings, May to September 1812 (23)

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Reference number

SM volume 81/16

Purpose

[99] Progress drawing, July 1812

Aspect

Interior (pencil) view of the Mausoleum at Dulwich

Inscribed

as above

Signed and dated

(pencil) R C (twice), July 29^th, August 10th 1812

Medium and dimensions

Pencil and coloured washes, watercolour technique, shaded, within a single-ruled black wash border on laid paper (215 x 241)

Hand

Robert Dennis Chantrell (1793-1872, pupil 1807-1814)

Watermark

not visible

Notes

In this drawing, dated 29 July, the carpentry of the dome of the Mausoleum antechamber is complete but it has yet to be plastered. Richard Martyr and Son were also responsible for this, they are recorded as fitting 'spherical brackets to domes of Mausoleum'.

Literature

T. Willmert. 'Heating methods and their impact on Soane's work: Lincoln's Inn Fields and Dulwich Picture Gallery', Journal of Society of Architectural Historians, 52/1, March 1993, p. 55
C. Davies, 'Masters of building: the first independent purpose-built picture gallery: Dulwich Picture Gallery', Architect's Journal, April 1984, pp. 54-55
F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 105 & 192-193

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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