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  • image SM volume 81/9

Reference number

SM volume 81/9

Purpose

[92] Progress drawing, June 1812

Aspect

Interior perspective of Gallery

Inscribed

(verso, pencil) Not to be used

Signed and dated

  • June 29th 1812

Medium and dimensions

Pencil and coloured washes, watercolour technique, shaded, within a single-ruled black wash border on laid paper (202 x 257)

Hand

George Basevi or Robert Dennis Chantrell (Day Book entry for 29 June 1812)

Watermark

G Jones 1809

Notes

This drawing shows a view of the central Gallery room with the arch on the left leading to the Mausoleum and the arch on the right as part of the Gallery enfilade. The roof carpentry is visible. Pupils were sent to the site in pairs, so Chantrell and Basevi would have gone together on 3 and 29 June. An enlarged version of this drawing was drawn by a pupil as an illustration for Soane's twelfth Royal Academy lecture from the second series about construction on 12 March 1815 (SM 15/2/09). The drawing is of an almost identical view through the enfilade at the same stage of construction but reveals more of the roof carpentry and is drawn in greater detail.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 98 & 192

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).