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  • image SM 31/2/59

Reference number

SM 31/2/59

Purpose

[103] Design and presentation drawing for the exterior, 20 January 1801

Aspect

Elevation of the Lawn Front

Scale

bar scale of ¼ inch to 1 foot

Inscribed

as above, labelled Present Level of Ground at Entrance Door, A Urn This must be placed here, (pencil) Earth, Stone, March 25th/1801 and some dimensions given

Signed and dated

  • 20 January 1801
    Lincolns Inn field Janry. 20. 1801

Medium and dimensions

Pen, brown pen, pencil and sepia wash on wove paper (526 x 677)

Hand

Possibly Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Book 14 January 1801), Soane
Possibly Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Book 14 January 1801), Soane
SOANE, Sir John (1754--1837), architect
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Book 14 January 1801), Soane

Watermark

illegible on laid paper repair work

Literature

Helen Dorey, 'Sir John Soane's Pitzhanger' in Trackers, exhibition catalogue, PM Gallery and House, 2004, p.21 P. Dean, Sir John Soane and the country estate, 1999, pp.93

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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