[49] Survey drawing with added design, c. September 1800

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pitzhanger Manor, Ealing, London: (executed) a house for John Soane and six unexecuted schemes for a villa at Acton, 1800-1832 (285)
    - Survey drawings and views of the existing Pitzhanger Manor, September - November 1800 (18)
      - Survey drawings with added designs, c. September 1800 (5)

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Reference number

SM 30/3/14

Purpose

[49] Survey drawing with added design, c. September 1800

Aspect

Plan of ground floor prior to Soane's work with design added (verso) design for a staircase indicating landings and pattern of the metalwork

Scale

bar scale of 3/16 inch to 1 foot (53) bar scale of 1/6 inch to 1 foot

Signed and dated

c. September 1800

Medium and dimensions

Pen, pencil and sepia wash, pricked for transfer, on wove paper (543 x 636)

Hand

Possibly Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1806) or Thomas Sword (pupil 1799-1804) (see notes)
Possibly Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1806) or Thomas Sword (pupil 1799-1804) (see notes)

Literature

J. Lever, Catalogue of the drawings of George Dance the Younger (1741-1825) and of George Dance the Elder (1695-1768) from the collection of Sir John Soane’s Museum, 2003, catalogue 68, pp.214-6

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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