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You are here: CollectionsOnline  /  [18] Imaginative reconstruction drawing of design for a Triumphal Bridge, Royal Academy Gold Medal design, 1776 made by J.M.Gandy, May-July 1799
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Reference number

SM P258 (framed: North Drawing Room: south wall, lhs inside plane)

Purpose

[18] Imaginative reconstruction drawing of design for a Triumphal Bridge, Royal Academy Gold Medal design, 1776 made by J.M.Gandy, May-July 1799

Aspect

Perspective from one side of a river of the Royal Academy Gold Medal competition design of 1776, probably exhibited at the Royal Academy, 1806

Signed and dated

  • July 19th 1799

Medium and dimensions

Pen, burnt umber, blue, green and sepia washes, watercolour technique, shaded, within triple ruled and sepia and black wash border (702 x 1237) framed

Hand

J.M.Gandy (1771-1843)

Watermark

n.a. framed

Notes

Between May and June 1799 the Office Day Book includes the following entries by Gandy: 'Perspective view of a Bridge' (between 18 May and 4 June, 16 working days, SM 12/5/5); 'Abt Bridge' (between 5 and 8 June, 4 working days, SM 12/5/6) and (from 10 June to 19 July, 17 working days and definitely the drawing shown here) 'Perspective View of a Triumphal Bridge'. Thus it is assumed that SM 12/5/5, SM 12/5/6 and this drawing were made in that period and in that sequence.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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