[12] Imaginative reconstruction of Soane's Royal Academy Gold Medal competition design of 1776 made by Henry Seward, January 1799

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Soane's architectural education: Royal Academy and Italy including measured drawings: 1770-1780
  - Soane's architectural education including theoretical designs made for the Royal Academy Schools and for exhibition at the Royal Academy, 1770-80, and in Italy, 1778-80
    - Design for a Triumphal Bridge for the Royal Academy Schools Gold Medal competition 1776, later revised and sent to the Parma Academy, 1780, with preliminary designs by George Dance, 1776 and ? 1778, and later copies and perspectives, 1796-c.1827 (21)

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Reference number

SM volume 60/175

Purpose

[12] Imaginative reconstruction of Soane's Royal Academy Gold Medal competition design of 1776 made by Henry Seward, January 1799

Aspect

Perspective of part of Soane's design seen from under a portico supported by Corinthian columns

Inscribed

(pen, G.Bailey, curator 1837-60) View under the Portico of a Design / for a Triumphal Bridge 1776

Signed and dated

datable to 29 January 1799 see Notes below

Medium and dimensions

Pen, sepia, blue and light violet washes, watercolour technique, pencil, shaded, within single ruled border on laid paper (283 x 386)

Hand

Henry Hake Seward (pupil and subsequently assistant, 1794-1808)

Watermark

J Larking

Notes

The office Day Book entry for Tuesday 29 January 1799 records 'about Drawing / of Entrance / Seward'.
Henry Hake Seward (1778-1848) see H.Colvin, Biographical dictionary of British architects, 1600-1840, 3rd ed. 1995.

For a similar view see SM P91 (Gandy).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).