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Alternative designs for a chapel partly enclosed by a ? college building in the form of a Crescent
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- Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
Reference number
SM 45/1/19
Purpose
Alternative designs for a chapel partly enclosed by a ? college building in the form of a Crescent
Aspect
Two elevations: above, an elevation with a Greek Doric order, and small (feint pencil) plan, and below an elevation with an Ionic order. Both have Pantheon-type domes; in both designs the chapel is placed in the centre of a Crescent finishing with twin cube-like entrances with (top, pencil) large obelisks added. The Crescent is continuous, with a colonnaded front and a plain one-and-half-storey back and, above a continuous entablature; a parapet conceals the roof
Scale
to a scale
Inscribed
(very feint pencil, mostly illegible, on left-hand side) Chapel / Do Plan and Elevn / C- - - - - P - - - for the (?) College / - - - - ; and (G.Bailey, curator 1837-60) A Design for a Mausoleum 1779
Medium and dimensions
Pen, warm sepia washes, pencil, shaded within single ruled border on laid paper (473 x 690)
Hand
Soane
Watermark
J Whatman, fleur-de-lis within crowned cartouche with GR below
Notes
The identification of the drawing as a design for a chapel largely depends on Soane's feint pencil note. George Bailey, Soane Museum curator 1837-60, titled the drawing A Design for a Mausoleum 1779 but he has mis-labelled other of Soane's mausoleum-like designs. It is difficult to establish the purpose of the Crescent. Of 36 bays and on an approximately three-quarter elliptical plan, it finishes with a square entrance at each end. The inscription (if it is correct) of 'College' suggests a collegiate function.
The Greek Doric chapel, fronted by a low stair, has a distyle portico in antis with apsidal ends fronted by columns. Pencil alterations to the dome make it larger and add sculpted figures around the oculus. The design is quite close to the elevations (drawings 7 and 14) seen in 'Designs for the so-called "Chatham mausoleum"' (q.v.). Soane added a feint pencil plan (below the top elevation and to the left) that is basically a circle with the four corners of a square projecting through at four points. This resembles the outline plan for the 'Castello d'acqua' (q.v.) with its circular terrace pierced at four points by the corner of a pavilion though here colonnades are added to the periphery.
The Ionic chapel sits on a wide stepped base that includes the square (cuboid) entrances to the Crescent and is an alternative design with, for example, the porticos on the long axis and colonnades on a semicircular plan on the short axis.There is a plan inscribed 'for Monumental Chapel' among the Soane drawings at the Victoria and Albert Museum; it is to a scale of 1/7 inch to 1 foot. P. du Prey (Sir John Soane, 1985, in series of 'Catalogues of architectural drawings in the Victoria and Albert Museum', catalogue 44) describes this plan as 'an oval with hemicyclical rows of freestanding columns along the exterior .. and [with] distyle porticoes project[ing] beyond the short axis of the oval'. It corresponds with the Ionic rather than the Doric elevation though there are differences. For example, on the long axis there are four rather than six columns and no door. The plan indicates a gallery which relates to the two storeys of the Ionic design.
Jill Lever, August 2005
The Greek Doric chapel, fronted by a low stair, has a distyle portico in antis with apsidal ends fronted by columns. Pencil alterations to the dome make it larger and add sculpted figures around the oculus. The design is quite close to the elevations (drawings 7 and 14) seen in 'Designs for the so-called "Chatham mausoleum"' (q.v.). Soane added a feint pencil plan (below the top elevation and to the left) that is basically a circle with the four corners of a square projecting through at four points. This resembles the outline plan for the 'Castello d'acqua' (q.v.) with its circular terrace pierced at four points by the corner of a pavilion though here colonnades are added to the periphery.
The Ionic chapel sits on a wide stepped base that includes the square (cuboid) entrances to the Crescent and is an alternative design with, for example, the porticos on the long axis and colonnades on a semicircular plan on the short axis.There is a plan inscribed 'for Monumental Chapel' among the Soane drawings at the Victoria and Albert Museum; it is to a scale of 1/7 inch to 1 foot. P. du Prey (Sir John Soane, 1985, in series of 'Catalogues of architectural drawings in the Victoria and Albert Museum', catalogue 44) describes this plan as 'an oval with hemicyclical rows of freestanding columns along the exterior .. and [with] distyle porticoes project[ing] beyond the short axis of the oval'. It corresponds with the Ionic rather than the Doric elevation though there are differences. For example, on the long axis there are four rather than six columns and no door. The plan indicates a gallery which relates to the two storeys of the Ionic design.
Jill Lever, August 2005
Literature
P. du Prey, John Soane's architectural education 1753-80, 1977, pp.138-9 (associated with the Chatham mausoleum designs)
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk