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  • image SM 28/2/15

Reference number

SM 28/2/15

Purpose

[26] Variant builder's drawing for kitchen offices, 1785

Aspect

Plan, elevation and section and (verso) side elevation

Scale

to a scale see note below

Inscribed

(Sanders) Design for the Offices at Tendring Hall and dimensions given, (verso), (Baldwin) Tendring Hall / Plan of the Offices and (builder's hand) Sir I have this moment Rcd your Draft for £30 if you (cut)

Signed and dated

  • datable to 1785-6

Medium and dimensions

brown pen, hatching on cartridge paper with two folds (523 x 307)

Hand

builder, William Lodder?

Notes

The purpose of the drawing is not clear. It is drawn with a firm hand but not by an architect. The plan is close to that of SM 28/2/16 including, for example, the addition of a pencilled-in stair. The inscribed dimensions are the same as those of SM 28/2/18 but the fractions of an inch are not given. The elevations are simpler than in SM 28/2/18 and a lantern or ventilator is drawn in unorthodox 'filleted' way that suggests a builder (probably a carpenter) as draughtsman, possibly the William Lodder inscribed on the verso of 28/2/16. Little is known about this builder except that two natural curiosities cut from an Ash tree displayed either side of the north window to Soane's Library-Dining room at 13 Lincoln's Inn Fields were presented to Soane in 1820 by a William Lodder. For another drawing inscrbed 'Lodder' see SM 8/3/11.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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