Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Unfinished design for an antique frieze showing anthropomorphic putti entwined with rosettes on either side of anurn. Above on the sheet is design for part of a candelabra.
  • image Adam vol.52/132

Reference number

Adam vol.52/132

Purpose

Unfinished design for an antique frieze showing anthropomorphic putti entwined with rosettes on either side of anurn. Above on the sheet is design for part of a candelabra.

Aspect

Details

Inscribed

Inscribed in ink in a contemporary hand Fregio del vaso Grande trovato in una Vigna 3 miglia fuori de Roma sul / anno 1764

Signed and dated

  • 1764

Medium and dimensions

Pen, pencil143 x 323

Hand

Robert Adam (attributed to)

Watermark

part of coat of arms

Notes

In the opinion of A. A. Tait, this drawing relates in time and place or subject to those contained in Adam volume 26.Although James Adam left Rome in May 1763 the composition of this sketch is similar to numerous drawings in volume 26. It is clearly based on a copy of an antique fragment and probably in the hand of Robert Adam. The subject of the drawing can be compared with a similar antique find of 1757 (see Adam vol.25/190) and emphasises the close connection maintained by the Adam Office with Rome in the early 1760s

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).