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London: Parliament House (designs for). Design for a large building composed as a main block with a portico, with quadriga of three-bay coupled columns with sculpture in niches on either side of the door, a cupola on drum above and three pantheon domes, all linked by a seven-bay colonnade to domed and bowed pavilions at either end.
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Reference number
Adam vol.28/2
Purpose
London: Parliament House (designs for). Design for a large building composed as a main block with a portico, with quadriga of three-bay coupled columns with sculpture in niches on either side of the door, a cupola on drum above and three pantheon domes, all linked by a seven-bay colonnade to domed and bowed pavilions at either end.
Aspect
Elevation
Inscribed
Inscribed in ink in a contemporary hand Design for the Houses of Lords and Commons
Signed and dated
- Undated, probably c.1763
Medium and dimensions
Pen, grey wash467 x 1102, two joined sheets
Hand
James Adam Office
Watermark
CM P1.
Notes
In the opinion of A. A. Tait, this drawing relates in time and place or subject to those contained in Adam volume 7.This is the river elevation to the plan in Adam vol.28/3 and both can be closely connected with James Adam's Parliament Scheme of 1762/3 in Adam volume 7 and with Robert Adam's design of c.1770 in Adam volume 10. The drawing is a pricked-through copy, possibly of a version of the elevation that James Adam had produced in Rome in 1763. In March of that year, it was described by Charles Natoire as: 'his Plan for a Parliament House is Still improving, creates admiration', and an elevation as showing that 'the true Spirit of Antiquity had guided the Architect, as well as in the Building itself, as in the contrivance of every Ornament for it' (see D. Stillman, English Neo-classical Architecture, 2 vols., London, 1988, I, p.56). In May 1763, Adam left for England and Florence, perhaps with the plan and elevations of the design still incomplete. Although this drawing follows several of the details found in volume 7 - such as the quadriga, the balustrade trophies, door and pediment decoration - the composition of the entrance portico does not, through its use of coupled columns. The relief sculpture in the central pediment is based on the drawing by Antonio Zucchi (1726-95) in Adam vol.7/23. Apart from the portico, the drawing matches in composition the later perspective by Robert Adam in Adam vol.1/28, which it probably inspired (see A. A. Tait, Robert Adam: drawings and imagination, Cambridge, 1993, p.56).
Literature
Repr. A. A. Tait, Robert Adam: drawings and imagination, Cambridge, 1993, fig.52C. Riding etc., The Houses of Parliament, London, 2000, p.106
Level
Drawing
Exhibition history
The Adam Brothers in Rome: Drawings from the Grand Tour, Sir John Soane's Museum, London, 25 September 2008 - 14 February 2009
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk