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  • image Adam vol.4/110
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Reference number

Adam vol.4/110

Purpose

Unfinished capriccio showing a ruined triumphal arch with couple free-standing columns on either side of several recessed arches, with similar columns leading to a hall with niches and relief panels.

Aspect

Perspective

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Pen, pencil on blue paper265 x 316

Hand

Charles-Louis Clérisseau (attributed to)

Notes

In the opinion of A. A. Tait, this drawing relates in time and place or subject to those contained in Adam volume 55. This exercise on the form of a triumphal arch may be seen in several by Robert Adam (see Adam vol.55/41 and 148), and it can be compared with a similar unfinished pen and pencil drawing by Adam in Adam vol.4/109. The use of coloured paper is untypical of Charles-Louis Clérisseau (1721-1820) although it is found in the later compositions by Adam in Adam volume 10.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).