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  • image Adam vol.1/30

Reference number

Adam vol.1/30

Purpose

Design for the elevation of a palace composed as a main block of nine bays arranged over two stories, with a shallow stepped dome on a drum over a central three-bay bow, with two wings linked by a six-bay Doric colonnade to five-bay pavilions showing alternative designs, with pediments and sculpture. Above this is a small plan showing two staircases.

Aspect

Elevation, plan

Signed and dated

  • Undated, probably c.1757

Medium and dimensions

Pencil, pen, grey wash347 x 1134, 3 joined sheets with overlaps on right pavilion and central dome

Hand

Robert Adam

Notes

In the opinion of A. A. Tait, this drawing relates in time and place or subject to those contained in Adam volume 55.The style of this drawing, especially in the use of grey wash, is similar to Robert Adam's academic schemes in Rome found in Adam volume 55 (see particularly Adam vol.55/109), many of which were made under the influence of Laurent-Benoít Dewez (1731-1812). This drawing may be dated to c.1757.It seems probably that this sheet has been misplaced since it bears no relation to the drawings on either side for Robert Adam's rebuilding of Culzean Castle, Ayrshire (1777 - 90)and his Parliament scheme (1760).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).