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  • image Adam vol.26/191
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Reference number

Adam vol.26/191

Purpose

Italy: Rome, the Vatican Record drawing for the decoration of a pilaster showing four relief panels in the upper part; at the base three figures are supporting a vase of flowers under a scalloped canopy, above which are two figures holding swags.

Aspect

Elevation

Inscribed

Inscribed in pencil Arabesques

Signed and dated

  • Undated, probably 1760 - 1763

Medium and dimensions

Pencil, watercolour 1238 x 236, three joined sheets

Hand

Giuseppe Manocchi (attributed to)

Notes

This drawing, together with those in Adam vol.26/186,188, 192-201 is part of a group attributed to Giuseppe Manocchi (c.1731-82), showing decoration of the Vatican logge. The large scale of several of the figures in this drawing is similar to that found in Adam vol.26/151 and 199, although the overall composition can probably be attributed to Manocchi.
The decoration of the Vatican logge appeared as engravings between 1772 - 1777 in three parts: Logge di Rafaele nel Vaticano (1772), Seconda Parte delle Logge di Rafaele nel Vaticano (1776) and Terza ed Ultima Parte delle Logge di Rafaele nel Vaticano (1777). Work on the project of recording was begun in 1760 and was more or less completed by 1768. The principal artists involved were the painter Gaetano Savorelli (d.1791) and the architect Pietro Camporesi (1726-81), and the engraver was Giovanni Ottaviani (1735-1808). The third volume was engraved by Giovanni Volpato (1733-1803), after drawings by Ludovico Tesio (1731-82).

Level

Drawing

Exhibition history

The Adam Brothers in Rome: Drawings from the Grand Tour, Sir John Soane's Museum, London, 25 September 2008 - 14 February 2009

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).