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  • image Adam vol.26/166

Reference number

Adam vol.26/166

Purpose

Unfinished record drawing for part of a rectangular ceiling with a circular central panel showing the Three Graces, surrounded by semi-circular decoration of trophies and rosettes divided by winged figures. Other borders show foliage and rosettes.

Aspect

Ceiling plan

Inscribed

Inscribed in ink in a contemporary hand From Mr Buiers at Rome

Signed and dated

  • Undated, but possibly after Robert Adam's return from Italy

Medium and dimensions

Pencil, pen 409 x 550

Hand

Giuseppe Manocchi (attributed to), after James Byres

Notes

The inscription relating to James Byres (1734-1817) appears in the same hand on other ceiling designs, Adam vol.26/167, 170, 174 and 176 and it would suggest that they were inscribed in London. All are unfinished and may well be copies, probably by Giuseppe Manocchi (1731-82), after the complete originals. James Byres turned from painting to architecture c.1758 while in Rome, and in 1762 he won a prize in the Concorso Clementino. At that time he was known to James Adam's circle (see J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.378). There is an album of finished ceiling designs attributed to Byres in the Cooper-Hewitt National Design Museum, New York, USA (see J. Harris, Catalogue of British Drawings for Architecture, Decoration, Sculpture and Landscape Gardening 1550-1900 in American Collections, New Jersey, 1971, p.41).

Literature

Repr. A. A. Tait, Robert Adam: drawings and imagination, Cambridge, 1993, fig.64

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk