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  • image Image 1 for SM 79/1/14
  • image Image 2 for SM 79/1/14
  • image Image 1 for SM 79/1/14
  • image Image 2 for SM 79/1/14

Reference number

SM 79/1/14

Purpose

[2] Measured drawings of Schaffhausen bridge

Aspect

(recto) Cross half-section and detail of junction of post, beam and floor; (verso) Detail of cross section of central pier

Inscribed

(recto) Schaffhausen (twice), Floor, Iron 3/8, by 2 1/2 to keep the Carts off and dimensions given; (verso) Schaffhausen, Middle of Bridge, Stone Pier, Oak, Water, Oak 11 ins sq., tenanted (sic) with 2 tenons into B, floor in three thicknesses, Outside Boarding, Oak Upright, lettered B and dimensions given

Medium and dimensions

Pen and pencil on laid secretary paper (230 x 381)

Hand

Soane

Watermark

post horn within crowned cartouche and C & I Honig below

Notes

Schauffhausen bridge was designed by Hans Ulrich Grubenmann, 1756-8.

Literature

P.du Prey, John Soane's architectural education 1753-80, 1977, p.331
'John Soane and the wooden bridges of Switzerland. Architecture and the culture of technology from Palladio to the Grubenmanns', Academia di Architecttura Mendrisio, exhibition catalogue, 2003, p.95

Level

Drawing

Exhibition history

John Soane and the wooden bridges of Switzerland. Architecture and the culture of technology from Palladio to the Grubenmanns, Archivio del Moderno, Mendrisio, 11 May - 30 June 2002; Centro Palladio, Vicenza, 11 July - 3 November 2002; S AM Schweizerisches Architekturmuseum, Basel, 16 November 2002 - 2 February 2003; Sir John Soane's Museum, London, 14 February - 19 April 2003

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).