Italy: Rome, Piazza del Campidoglio. Record drawing of one of two marble trophies from the Campidoglio balustrade showing a torso with flanking shields and a female figure holding two more shields. At her sandled feet are a helmet and weapons; all set on a base.

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Robert and James Adam travel drawings
- Adam Volume 26

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Reference number

Adam vol.26/90

Purpose

Italy: Rome, Piazza del Campidoglio. Record drawing of one of two marble trophies from the Campidoglio balustrade showing a torso with flanking shields and a female figure holding two more shields. At her sandled feet are a helmet and weapons; all set on a base.

Aspect

Elevation

Signed and dated

Undated, probably 1760 - 63

Medium and dimensions

Pen, brown wash on brown washed paper; ink framing line 591 x 380

Hand

Antonio Zucchi (attributed to)

Notes

This is one of a set of four trophy drawings, Adam vol.26/89-92, all attributed to Antonio Zucchi (1726-95), probably all related to the Trophies of Marius from the balustrade of the Piazza del Campidoglio, Rome. The two Campidoglio trophies were moved there from the nymphaeum of the Aqua Giulia in 1590 (see E. Nash, Pictorial Dictionary of Ancient Rome, London, 1968, vol.II, p.125). They would be well known to James Adam from Giovanni Battista Piranesi's engravings in the Trofei di Ottaviano Augusto, 1753 (see G.B. Piranesi, Le Rovine del Castello dell'Acqua Giulia, 1761, pl.XVII) and in the Trofei itself, and later appeared in Robert Adam's work at Syon, Osterley and Newby (see D. Stillman, The Decorative Work of Robert Adam, London, 1966, p.64). This composition may be compared with the smaller one found in Adam vol.7/71; the drawing in Adam vol.26/89 may well be a view of the rear of this trophy.
There were other forms of the trophy extant in Rome in the eighteenth century, such as those now in the Boboli Gardens in Florence, then in the Villa Medici. In addition, there were the trophy reliefs on Trajan's columns that were recorded by Charles-Louis Clérisseau (1721-1820) as 'différentes recherches sur les armes, le costume et les différentes instruments des anciens; ces différentes pièces sont puisés d'après des bas reliefs des statuës et des pientures antiques où d'après des desseins fort ancien et fort rare qui avoient été puisés dans la même source'. (For an account of the acquisition of this collection by Catherine II, see 'Un asyle glorieux' in Charles-Louis Clérisseau (1721-1820) Dessins du musée de l'Ermitage Saint-Petersbourg, catalogue of an exhibition held at the Musée du Louvre, Paris, 1995, p.66-72). There is another series of small trophy compositions in Adam vol.7/71, and panels based on the theme in Adam vol.19/98-99 by Giuseppe Manocchi (c.1731-82) of 1766, with similar compositions by him also of 1766 in album 5 of the Hardwick Drawings in the RIBA (see 5/28; see J. Lever, Catalogue of the Drawings Collection of the Royal Institute of British Architects, L-N, London, 1973).

Level

Drawing

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