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London: Parliament House (designs for). Sketch design for a sculptural group on a plinth showing a standing female figure with a sceptre in one hand and probably a crown in the other, leaning on a unicorn, with a lion on the other side and a cat at her feet.
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Reference number
Adam vol.7/35
Purpose
London: Parliament House (designs for). Sketch design for a sculptural group on a plinth showing a standing female figure with a sceptre in one hand and probably a crown in the other, leaning on a unicorn, with a lion on the other side and a cat at her feet.
Aspect
Detail
Inscribed
Inscribed in ink in a contemporary Italian hand Libertà Ingliterra [crossed out]
Signed and dated
- Undated, probably 1762-63
Medium and dimensions
Pen, brown wash
216 x 154
Hand
Antonio Zucchi (attributed to)
Notes
This drawing is the companion to Adam vol.7/34, and the pen inscription in Italian is probably in Antonio Zucchi's hand. The figure of 'Liberty' is a standing version of the seated figure in Adam vol.7/34.
The set of pen and wash drawings with heightening, Adam vol.7/21-44, are all designs for the relief decoration of James Adam's Parliament House scheme of 1762/63. The predominant theme is British history and the figures are dressed in either early seventeenth-century or classical costume. The principal draughtsman was Antonio Zucchi (1726-95), although some of the figure compositions are probably the work of Agostino Scara, of whom James Adam wrote that he '... draws figures full as well as Brunias...' (J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.279). Adam gave great emphasis in his Parliament scheme to the role of decorative sculpture and this probably explains the survival of so much material of this sort. In his unfinished essay on architectural theory of 1762, Adam explained: 'What is meant by outside decoration is sculpture, statues and bas-reliefs, together with foliage, trophies, frets, interlacings and a thousand such ornaments which, if properly applied, give such amazing magnificence and render an ediface so wonderfully interesting...' (Fleming, op.cit., p.317).
The set of pen and wash drawings with heightening, Adam vol.7/21-44, are all designs for the relief decoration of James Adam's Parliament House scheme of 1762/63. The predominant theme is British history and the figures are dressed in either early seventeenth-century or classical costume. The principal draughtsman was Antonio Zucchi (1726-95), although some of the figure compositions are probably the work of Agostino Scara, of whom James Adam wrote that he '... draws figures full as well as Brunias...' (J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.279). Adam gave great emphasis in his Parliament scheme to the role of decorative sculpture and this probably explains the survival of so much material of this sort. In his unfinished essay on architectural theory of 1762, Adam explained: 'What is meant by outside decoration is sculpture, statues and bas-reliefs, together with foliage, trophies, frets, interlacings and a thousand such ornaments which, if properly applied, give such amazing magnificence and render an ediface so wonderfully interesting...' (Fleming, op.cit., p.317).
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk