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London: Parliament House (designs for). Design for a long rectangular panel showing a crowned king on a throne crowning, presumably, the Prince of Wales. To one side are four bishops; armed guards and spectators are in attendance, all in early seventeenth-century costume apart from one in classical costume.
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Reference number
Adam vol.7/27
Purpose
London: Parliament House (designs for). Design for a long rectangular panel showing a crowned king on a throne crowning, presumably, the Prince of Wales. To one side are four bishops; armed guards and spectators are in attendance, all in early seventeenth-century costume apart from one in classical costume.
Aspect
Elevation
Signed and dated
- Undated, probably 1762-63
Medium and dimensions
Pencil, pen, brown wash with white heightening, partly oxidised, on brown washed paper
170 x 1279, two pieces of paper joined, and with three vertical folds
Hand
Antonio Zucchi (attributed to)
Notes
The composition is a ceremony connected with the Parliament House. The throne with lion arms is similar to that shown in Adam vol.7/24.
The set of pen and wash drawings with heightening, Adam vol.7/21-44, are all designs for the relief decoration of James Adam's Parliament House scheme of 1762/63. The predominant theme is British history and the figures are dressed in either early seventeenth-century or classical costume. The principal draughtsman was Antonio Zucchi (1726-95), although some of the figure compositions are probably the work of Agostino Scara, of whom James Adam wrote that he '... draws figures full as well as Brunias...' (J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.279). Adam gave great emphasis in his Parliament scheme to the role of decorative sculpture and this probably explains the survival of so much material of this sort. In his unfinished essay on architectural theory of 1762, Adam explained: 'What is meant by outside decoration is sculpture, statues and bas-reliefs, together with foliage, trophies, frets, interlacings and a thousand such ornaments which, if properly applied, give such amazing magnificence and render an ediface so wonderfully interesting...' (Fleming, op.cit., p.317).
The set of pen and wash drawings with heightening, Adam vol.7/21-44, are all designs for the relief decoration of James Adam's Parliament House scheme of 1762/63. The predominant theme is British history and the figures are dressed in either early seventeenth-century or classical costume. The principal draughtsman was Antonio Zucchi (1726-95), although some of the figure compositions are probably the work of Agostino Scara, of whom James Adam wrote that he '... draws figures full as well as Brunias...' (J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.279). Adam gave great emphasis in his Parliament scheme to the role of decorative sculpture and this probably explains the survival of so much material of this sort. In his unfinished essay on architectural theory of 1762, Adam explained: 'What is meant by outside decoration is sculpture, statues and bas-reliefs, together with foliage, trophies, frets, interlacings and a thousand such ornaments which, if properly applied, give such amazing magnificence and render an ediface so wonderfully interesting...' (Fleming, op.cit., p.317).
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk