London: Parliament House (designs for). Design for a long rectangular panel showing a regal procession with a crowned king, with crowds advancing from either end and preceded by the mace and sword of state protected by armed guards. The scene is watched by spectators, all in early seventeenth-century costume.

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Robert and James Adam travel drawings
- Adam Volume 7

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Reference number

Adam vol.7/26

Purpose

London: Parliament House (designs for). Design for a long rectangular panel showing a regal procession with a crowned king, with crowds advancing from either end and preceded by the mace and sword of state protected by armed guards. The scene is watched by spectators, all in early seventeenth-century costume.

Aspect

Elevation

Signed and dated

Undated, probably 1762-63

Medium and dimensions

Pencil, pen, brown wash with white heightening, partly oxidised, on brown washed paper 173 x 1276, two pieces of paper joined and with three vertical fold lines

Hand

Antonio Zucchio (attributed to)

Notes

The procession shown is presumably that for the State Opening of Parliament. The costume and mace are those found in other compositions in this set.
The set of pen and wash drawings with heightening, Adam vol.7/21-44, are all designs for the relief decoration of James Adam's Parliament House scheme of 1762/63. The predominant theme is British history and the figures are dressed in either early seventeenth-century or classical costume. The principal draughtsman was Antonio Zucchi (1726-95), although some of the figure compositions are probably the work of Agostino Scara, of whom James Adam wrote that he '... draws figures full as well as Brunias...' (J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.279). Adam gave great emphasis in his Parliament scheme to the role of decorative sculpture and this probably explains the survival of so much material of this sort. In his unfinished essay on architectural theory of 1762, Adam explained: 'What is meant by outside decoration is sculpture, statues and bas-reliefs, together with foliage, trophies, frets, interlacings and a thousand such ornaments which, if properly applied, give such amazing magnificence and render an ediface so wonderfully interesting...' (Fleming, op.cit., p.317).

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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