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  • image Adam vol.55/112

Reference number

Adam vol.55/112

Purpose

Unfinished capriccio showing an elevation with a Venetian doorway in the centre, with niches containing sculpture on either side, continuing with other columns and niches with rectangular relief panels above.

Aspect

Perspective

Inscribed

Inscribed in ink on drawing 112

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Black chalk88 x 182

Hand

Robert Adam

Watermark

(part)

Notes

The elevation has been trimmed at the top and reappears in greater detail in the chalk drawing in Adam vol.55/145. Both drawings can probably be related to the Roman Pantheon compositions in Adam vol.55/80 and 147. The large plan on the verso of 55/147 may be the source for such elevations.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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