Explore Collections

You are here:
CollectionsOnline
/
Capriccio showing a partially-ruined interior divided by columns and pilasters opening through arches into further colonnaded halls with thermal windows beneath the remains of a barrel-vaulted ceiling.
Browse
Reference number
Adam vol.55/77
Purpose
Capriccio showing a partially-ruined interior divided by columns and pilasters opening through arches into further colonnaded halls with thermal windows beneath the remains of a barrel-vaulted ceiling.
Aspect
Perspective
Inscribed
Inscribed in ink on drawing 77
Signed and dated
- Undated, probably 1755 - 56
Medium and dimensions
Pen177 x 254
Hand
Robert Adam, attributed to
Notes
This composition is part of a group of mostly ink drawings, Adam vol.55/71-77, executed in a deliberately casual style that may have served as the inspiration for more elaborate watercolours by both Robert Adam and Charles-Louis Clérisseau (1721-1820) that can be seen in volume 56, see Adam vol.56/123, and in this volume in Adam vol.55/67. Like 55/73, this drawing is attributed to Adam by Fleming but not discussed (see caption to fig.9 in J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, p.167). However, the relationship between the compositions in this group is complex, as 55/74 makes plain where both hands are apparent, and the general authorship here of Clérisseau cannot be ruled out.
Literature
Rep. J. Fleming, Robert Adam and His Circle in Edinburgh & Rome, London, 1962, fig.9, p.167.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk