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You are here: CollectionsOnline  /  Capriccio showing an elevation and plan of a symmetrical building with five-bay portico on steps, on either side of which are projecting wings of three bays with pediments and small cupolas, above an arcade of five bays with a shallow dome on drum. Below this is drawn a plan in pencil of a square with corner pavilions and central pavilion with circular colonnaded hall.
  • image Adam vol.55/14

Reference number

Adam vol.55/14

Purpose

Capriccio showing an elevation and plan of a symmetrical building with five-bay portico on steps, on either side of which are projecting wings of three bays with pediments and small cupolas, above an arcade of five bays with a shallow dome on drum. Below this is drawn a plan in pencil of a square with corner pavilions and central pavilion with circular colonnaded hall.

Aspect

Elevation, plan

Inscribed

Inscribed in ink on drawing 14

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Pencil, pen, brown wash310 x 205

Hand

Robert Adam

Watermark

grapes

Notes

This drawing belongs with Adam vol.55/8, 10 and 11 as a small group of symmetrical elevations with wings and a domed centre block. The plan on the sheet is unrelated to the elevation and is drawn to a smaller scale; it can be compared with the chalk plan in Adam vol.55/28.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).