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  • image Adam vol.55/10

Reference number

Adam vol.55/10

Purpose

Capriccio showing plan and elevation for a seven-bay symmetrical building with rusticated ground storey, having three doorways with steps and three-bay portico. Above is an arcade with domes at either end, another storey and domed cupola. Below the elevation is a plan showing three large halls with a triple exedra at one end.

Aspect

Plan, elevation

Inscribed

Inscribed in ink on drawing 10

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Pencil, pen, brown wash311 x 222

Hand

Robert Adam

Notes

The plan is more typical of those found frequently in Adam volume 9, see Adam vol.9/50, which has much the same composition. Both these plans can be also be related to Adam vol.55/130, and this situation suggests that the separation between volume 55 and volume 9 is an arbitrary one. The elevation is of the same composition as found in Adam vol.55/11. This drawing belongs with Adam vol.55/10, 11 and 14 as a small group of symmetrical elevations with wings and a domed centre block.

Level

Drawing

Exhibition history

'Bob the Roman': Heroic Antiquity and the Architecture of Robert Adam, Sir John Soane's Museum, London, 27 June - 27 September 2003; New York School of Interior Design Gallery, 29 September - 4 December 2004

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).