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Purpose

[9] Survey, Courts of Exchequer, Equity, Commons Pleas, 10 April 1823

Aspect

Plan of the main (first) floor of the Courts of Exchequer, Equity and Commons Pleas, with adjacent accommodation and offices, to the north-west of Wesrtminster Hall

Scale

to a rough scale

Inscribed

Plan of the buildings adjoining the / Courts of Common Pleas & Exchequer / Remembrancer's / Record Room / Six Clerks Office / Remembrancer's room / Record room / Passage / A. see the parts at / large / Tower leading into the Court of Exchequer / Ushers / room / Court of Exchequer / record room above / Court of Equity / Court (x 2) / Baron's room / B[arons']. W[ater]. C[loset] / Open / Lobby (x 2) / Lobby to Barons / room / Staircase and / Passage / Court / Judges room / Court of / Common Pleas dimensions given

Signed and dated

  • 10/04/1823
    10th. April 1823

Medium and dimensions

Pencil, coloured washes of prink and blue, pen, on wove paper (423 x 271)

Hand

Probably Arthur Patrick Mee (1802 - 1868), draughtsman
The Day Book entry for 10 April 1823 notes that Arthur and Mee and David Mocatta were Making Sketches at Westminster.
Possibly David Alfred Mocatta (1806 - 1882), draughtsman
The Day Book entry for 10 April 1823 notes that Arthur and Mee and David Mocatta were Making Sketches at Westminster.

Notes

The plan covers two adjacent leaves and is numbered as if a single sheet (SM Vol 48/5). For ease and consistency of reference it is catalogued here as a single sheet.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).