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  • image SM Adam volume 38/52

Reference number

SM Adam volume 38/52


[9] Design for the riding school, 1763, as executed


Side elevation of a two-storey, ten-bay riding house, with a pediment seen in profile on the principal front, and a pitched, tiled roof, and in front of the riding house is a one-and-a-half-storey, descending to one-storey, ten-bay lean-to pavilion with a pitched roof. And an axial section through the full length of the riding house, showing the two-storey interior, with niches along the walls on the ground storey, and half-height windows in the upper register, surmounted by a pitched roof, and with the lobby, surmounted by a upper roof, at one end


bar scale of 1 3/5 inches to 10 feet


Long Section through the Riding house at Edinburgh (in the hand of William Adam) and underwritten in pencil / Side front of the Riding house at Edinburgh (in the hand of William Adam) and underwritten in pencil

Signed and dated

  • 1763
    datable to 1763

Medium and dimensions

Pen, pencil, wash, yellow and pink washes on laid paper (573 x 486)


Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam


Bolton, 1922, Volume II, Index p. 11
For a full list of literature references see scheme note



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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