[60] Design for the pews at the western end, St Peter's, Walworth, London, c.1824

Explore Collections

You are here: CollectionsOnline / [60] Design for the pews at the western end, St Peter's, Walworth, London, c.1824

Browse

Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Churches and chapels
  - London: St Peter's, Walworth, designs for construction and interiors, 1822-25 (66)
    - Designs for pews, St Peter's Walworth, London 1824-25 (4)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM 54/6/29

Purpose

[60] Design for the pews at the western end, St Peter's, Walworth, London, c.1824

Aspect

Plan, elevation and section of the pews. The plan shows eleven rows of pews, with a couple of interventions for the stone columns of the church. The elevation depicts the arrangement of ten box pews with a gap between the second and third, with a pilaster behind. The final box pew is shown in section

Scale

bar scale of 8¹/₂ inches to 10 feet

Inscribed

N^o. 36 / Newington Church / Plan of part of the Pews at the West End / Iron Pillar / Stone Column / Seat / Desk / 1^1/₄ deal framing / Bead flush / [....] / flat in 9 [....] in width / & 20 [...] in height / Stone Column / Stone Pilaster / Stone Column / 2 deal Pilaster / 1^1/₄ deal framing / [.] [.] flush / [...] flush / 1^1/₄deal / 1¹/₂ deal / 1^1/₄ deal floor

Signed and dated

c.1824
Copied 20 July 1824 datable to c.1824

Medium and dimensions

Pencil, pen, wash, coloured washes of pink, yellow, and stone, pricked for transfer on wove paper (720 x 517)

Hand

Possibly Stephen Burchell (1806 - c.1843), draughtsman
Letter types such as upper case N and C are consistent with those used by Burchell in the Soane Office Day Books and other drawings

Verso

A faded pencil sketch of an unknown subject

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).

×

×

Personal & Academic Use

All content on the Sir John Soane’s Museum website copyright belongs to the trustees of Sir John Soane’s Museum.

Material may be reproduced free of charge in any format or medium for research, private study or for internal circulation within an educational organisation (such as schools, colleges and universities). This is subject to the material being reproduced accurately and not used in a misleading context or altered format (such as stretched, compressed, coloured or altered in any way so as to distort its original format). To obtain a low resolution jpg image right click on the image and select either 'save as' or 'copy'. To obtain a higher resolution image for non-commercial purposes please apply using the Commercial Use form referenced below.

Where any of the items on this site are being republished or copied to other websites, the source of the material must be identified and the copyright status acknowledged, e.g.: “Joseph Michael Gandy, ‘An imagined view of the Bank of England in ruins’, 1830, Photo: © Sir John Soane’s Museum, London”.

Please click here to download our Terms of Use.

Print on Demand

We also offer a selection of images from the Museum's collection for print on demand through our image licensee partners:

Bridgeman Images - founded in 1972 they aim to make the best of the world's art available for reproduction while supporting museums, artists and collections.

King and McGaw - established in 1982 they believe that everyone should be able to own inspiring art, which is why they work hard to bring their customers an unrivaled collection of artworks and framed prints.

Surface View - their vast image collection began searching through Sanders of Oxford's vintage etchings and prints. They now have a selection of our floral designs for silks and the Adam brothers' architectural drawings available as prints, canvases and wall murals.

Commercial Use

To reproduce an image for commercial use or to obtain a high resolution digital image, please download and complete this form, and email it to picturelibrary@soane.org.uk

Filming and photography are not allowed in Sir John Soane’s Museum unless prior permission is given. To arrange a professional filming or photography for commercial use please contact:
picturelibrary@soane.org.uk

All profits made through our picture library and print on demand partners help support the continued work conducted by the Museum.

CLICK TO CLOSE AND ACCEPT TERMS OF USE