[27] Finished drawing for the east wall of the music room, 1775, as executed

Explore Collections

You are here: CollectionsOnline / [27] Finished drawing for the east wall of the music room, 1775, as executed

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Home House, Portman Square, number 17 (now 20), London, for the Countess of Home, 1775-78 (73)
      - Finished drawings for the music room, 1775, as executed (4)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 50/35

Purpose

[27] Finished drawing for the east wall of the music room, 1775, as executed

Aspect

Elevation and section of the music room with a pair of doors set within a relieving arch. The doors are flanked with pilasters as SM Adam volume 50/34, and the overdoors are ornamented with lyre, half-putti and arabesques. Above this there are friezes as SM Adam volume 50/34 and the semi-circular arch head is ornamented with mermaids bearing trumpets and a medallion, flanked by urns and winged sphinxes, all linked by festoons of husks

Scale

bar scale of 3 1/2 inches to 5 feet

Inscribed

Section of one end of the Music Room or Front Drawing Room at Lady Homes

Signed and dated

Jan 1775
Adelphi Janry 27t 1775 (cropped)

Medium and dimensions

Pen, pencil and wash on laid paper (588 x 441)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Verso

Section of a Musick room for Lady Home / 3

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, pp. 18-20, 26
Whinney, 1969, pp. 44, 63
King, 2001, Volume I, pp.27, 290-91, fig. 409-10, pl. XIV
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).