[2] Design for the first storey of the house, possibly executed, c1789

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Robert and James Adam office drawings
- Country houses
  - Teddington, Middlesex, designs for a house and stables for Robert Udney, possibly executed, c1789 (5)

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Reference number

SM Adam volume 45/61

Purpose

[2] Design for the first storey of the house, possibly executed, c1789

Aspect

Plan of the first storey of a seven-bay building with alterations. The central five bays of the north front are projecting, and on the south front there is a canted three-bay bow. Within, alterations to the north-east corner show the additions of a bedchamber and closet. Alterations to the south-west corner form a circular ante room, and this leads to an additional wing to the west of the house. The west wing is divided into two rooms, forming a picture room and further bedchamber

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the one pair Story / Bed Chamber / Water Closet / Closet / Drawing room / Anti room / Passage / Bed Chamber / Closet / Dress room / Picture room / Bed Chamber / (and in pencil) 2nd Design / E / S / W and some dimensions given

Signed and dated

c1789
c1789

Medium and dimensions

Pen, pencil and pink wash on laid paper (461 x 251)

Hand

Possibly
Office hand, possibly Robert Morison or Daniel Robertson

Verso

[_ _ _ _ _ _ _]Teddington

Watermark

Banded cartouche surmounted by a fleur-de-lis

Literature

Bolton, 1922, Volume II, Index p. 30
For a full list of literature references see scheme notes.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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