[4] Design for the first storey of the house, c1784

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Robert and James Adam office drawings
- Country houses
  - Blackadder House, Allanton, Berwickshire for Alexander Boswell c1784 (10)
    - Designs for the house, c1784 (9)

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Reference number

SM Adam volume 32/82

Purpose

[4] Design for the first storey of the house, c1784

Aspect

Plan of a five-by-five-bay building, with square corner turrets, and with a colonnaded screen along the south front. The proposed alterations create a square formation from the L-plan building, with an additional wing to the north-east containing bedchambers, and additional corner turrets to the rear containing dressing rooms

Scale

bar scale of 1 inch to 10 feet

Inscribed

One Pair Story of Blackadder House / (and in the hand of William Adam) the Seat of Alex Boswell Esqr / A / B / Dress. Room / Bed Chamber / Water Closet / Bed Chamber / Dress. Room / Water Closet / Principal Staircase / Bed Chamber / Closet / Cabinet / Drawing Room / BedChamber / Water Closet / Powdering room / Dress. room

Signed and dated

c1784
c1784

Medium and dimensions

Pen and pencil on laid paper (477 x 264)

Hand

Possibly
Office hand, possibly Robert Morison, with part title inscription in the hand of William Adam

Verso

6 (cropped)

Watermark

GR surmounted by fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 3
King, 2001, Volume II, p. 122
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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