Scale
to a scale
Inscribed
Newington Church No19 / (copied 26th Augst 1823) / Timbers of the Roofs / Plan & Elevation / Tie beam / Principal / beam / beams / Bressumer / Kings / Tie beam / Wall Plate / Raising Plate / Pink deal Battening for Slates / Principal / Purlin / Struts / Scantling of Timbers to the Roof over Galleries / Staircases West & apartments East / Beams 9 by 6 / Oak Slings 6 x 6 exclusive of their abutments / Principals 5 x 4 1/2 / Bridging undertaking / bearers averaging 7 x 3 1/2 / Raking Bearers 5 x 3 / Bridging Joists 4 1/2 x 2 1/2 / White deal Gutter Boards on strong framed bearers /Scantling of Timbers to the Centre Roof / Brefsummers over iron Standards 12 x 9 / Raising Plate 9 x 7 / Principals averaging 6 1/2 x 6 / Oak Kings / Oak Queens / exclusive of their abutments 6 x 5 / Struts or Braces 5 x 4 / Purlins / 5 x 3 1/2 / Pull plates 6 x 4 / Ridge Piece 10 x 2 / Rafters 5 x 2 1/2 / Binding Posts ( 6 & 5 alternately in each bay) / 9 x 4
Signed and dated
- January 1823
Lincolns Inn Fields / January 1823
Medium and dimensions
Pencil, pen, and coloured washes of blue, pink, and yellow on wove paper (737 x 531)
Hand
SOANE, Sir John (1754--1837), architect
Probably Mee, Arthur Patrick (1802--1868), draughtsman
In the Soane Office Day Books only Arthur Mee is recorded as working on Sections for the church on the 17th and possibly 23rd January 1823, and some of the letter forms such as the upper case -N and -C are similar to those used by Mee in the Office Day Books
Notes
The 1823 designs for roof trusses differ from those of the previous year (SM 54/6/48; SM 54/6/49). The pitch is far lower, and a simpler truss and purlin arrangement is preferred. A flatter mono truss is used on the side as the roof flattens out. Iron elements in the form of rods are also added which may lessen the need for more wooden support structures.
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).