Scale
bar scale of 1/5 inch to 1 foot
Inscribed
Newington Church / (St Peters Walworth) / Plan showing the Foundations &c. / Ma[cropped] / Water Closet / Rainwater / flue / Foundations of Steps to Vaults / Door / Drain to convey the water from the roof. and some dimensions given
Signed and dated
Medium and dimensions
Pencil, pen, red pen, coloured washes of pink, blue and stone, pricked for transfer on wove paper (740 x 550)
Hand
Probably Mocatta, David Alfred (1806--1882), draughtsman
Soane Office Day Book for 15th May 1823 records both Mocatta and Burchell as drawing plans showing the foundations for Newington Church
Probably Stephen Burchell (1806 - c.1843), draughtsman
Office Day Book for 15th May 1823 records both Mocatta and Burchell as drawing plans showing the foundations for Newington Church
Watermark
AN TURKEY MILL / 1819
Notes
This remains the only surviving plan specifically for the vaults of St Peter's. The vaults would be used for burials, and although it is not explicitly stated on the plan, the coffins would be interred within the arches of the vaults. In a review of the church by E. J. Carlos in 1826, he praised the vaults as being 'occupied by spacious and well ventilated catacombs', and indeed, the inscription on the drawing refers to rainwater flues and drainage from the roof. This situation changed in 1857 due to the London Burial Act, when burials in churches were banned as being unhealthy. It is notable the enlarged site at St Peter's, when compared with Holy Trinity Church, Marylebone allowed Soane to construct two sets of steps to lead down into the vaults from each side of the church (e.g. SM 54/6/13; SM 54/6/16), whereas at Holy Trinity Church, a winch to lower coffins into the crypt had to be devised (see SM 54/4/29).
Literature
Carlos, 1896, p. 203
John, 2003, p. 84
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).