[1] Design for the ground storey of the inn, c1776, as executed

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Robert and James Adam office drawings
- Commercial buildings
  - Red Lion Inn, Pontefract, designs for alterations and extensions, and for a new facade, 1776, as executed (4)
    - Designs for the inn, c1776, as executed (4)

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Reference number

SM Adam volume 38/60

Purpose

[1] Design for the ground storey of the inn, c1776, as executed

Aspect

Plan of the ground storey of a seven-by-two-bay building, with the central five bays projecting, and with alterations to the rear. The front / south entrance leads to a central hall flanked by parlours, and with bar rooms to the rear. To the west there is a proposed extension containing a further parlour, and a self-contained china shop with a separate entrance from the south. East of the main entrance there is a gateway which leads to a courtyard beyond. To the rear of the building, further proposed extensions form a kitchen, brew house and stable

Scale

bar scale of 1 5/8 inches to 10 feet

Inscribed

Plan of the Parlor Story of the Red Lyon Inn at Pontefract / Stable / Coal Yard / Brew House / Kitchen / Barr room / Barr / Parlor / Staircase / A / B / China Shop / Parlor / Hall / Parlor / Gateway and some dimensions given

Signed and dated

c1776
Adelphi Sept. 24th

Medium and dimensions

Pen, pencil and pink wash on laid paper (572 x 494)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 26
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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