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As in drawing 124, the ceiling has a Greek fret motif radiation from a central rosette and framed by an ornamental band of acorns and oak leaves (drawing 126).
The drawing room frieze is the same serpentine-and-acanthus moulding decorating the Bank Stock Office (q.v. volume 74/39), an appropriate decorative reference for Soane's banker client.
See drawing 142 for a preliminary design of the drawing room ceiling, with a Greek fret motif as in drawing 124, made on a sheet that was later reused for making drawings of the organ case.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Working drawings and record drawings for finishings to the drawing room, August and September 1797 (4)
- [123] Working drawing for finishings to the drawing room, 21 August 1797
- [124] Working drawing for finishings to the drawing room, 25 September 1797
- [125] Record drawing for finishings to the drawing room, August and September 1797
- [126] Record drawing for finishings to the drawing room, August and September 1797