[27] Design for a door panel for a drawing room, 1779, possibly executed

Explore Collections

You are here: CollectionsOnline / [27] Design for a door panel for a drawing room, 1779, possibly executed

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Hill Street, number 31 (later 17), London, designs for a rear elevation, interiors and furniture, for Sir Abraham Hume, 1778-1780 (64)
      - Preliminary designs and design for panels for the doors in the drawing room, c1779, possibly executed (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 24/265

Purpose

[27] Design for a door panel for a drawing room, 1779, possibly executed

Aspect

Elevation of a panel ornamented by a central roundel depicting winged putti, with an apron of arabesques, drop calyx, tubular flowers and a pendent oil lamp ornamented with gadrooning and anthemia. Above the roundel, there is a turned support, flanked by mermaids and terminating in a tubular flower. This bears an urn ornamented with gadrooning, bands of lozenges and guilloche, ram masks, and festoons, all surmounted by calyx and flora

Scale

to a scale

Inscribed

Sir Abraham Hume / 44

Signed and dated

Feb 1779
12 Feby. 1779

Medium and dimensions

Pen, pencil and coloured washes including pink, verdigris, cerulean blue and Indian yellow on laid paper (200 x 605)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

Banded cartouche surmounted by a fleur-de-lis

Literature

Bolton, 1917, p. 6
Bolton, 1922, Volume II, Index p. 41
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).