[6] Working drawing for the seat of chairs for the first and second drawing rooms, 1778, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Hill Street, number 31 (later 17), London, designs for a rear elevation, interiors and furniture, for Sir Abraham Hume, 1778-1780 (64)
      - Working drawings for the back and seat of the chairs for the first drawing room, 1778, as executed (2)

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Reference number

SM Adam volume 17/89

Purpose

[6] Working drawing for the seat of chairs for the first and second drawing rooms, 1778, as executed

Aspect

Elevation of a chair seat, as Adam volume 17/88, but circular in form

Scale

full size

Inscribed

Bottom of Chairs for the [f]irst (cropped) room at Sir A: Hume’s in Hill Street / Bottom of Chairs for the second room at Sir A: Hume[e’s] (cropped) in Hill Street

Signed and dated

Dec 1778
Adelphi / 30 Dec.r 1778. / Adelphi / 9. Dec.r 1778

Medium and dimensions

Pencil and coloured washes including verdigris, Naples yellow, olive green and violet on laid paper (475 x 482)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 41
Harris, 1963, pp. 56, 96-97
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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