[17] Design for a tripod for the first drawing room, 1779, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Hill Street, number 31 (later 17), London, designs for a rear elevation, interiors and furniture, for Sir Abraham Hume, 1778-1780 (64)
      - Design for a tripod for the first drawing room, 1779, possibly executed (1)

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Reference number

SM Adam volume 17/65

Purpose

[17] Design for a tripod for the first drawing room, 1779, possibly executed

Aspect

Elevation of a tripod with sabre legs linked by a spacer bearing an urn, and with hoof feet, all supported by a socle ornamented with arabesques. The tripod is ornamented with ram masks, and bears a basin embellished with gadrooning and enclosed anthemia. All this is surmounted by a three-branch candelabrum, flanked by winged sphinxes

Scale

to a scale

Inscribed

Tripod for the first room at Sir Abraham Hume’s in Hill Street / 1779. / 65

Signed and dated

Jan 1779
Adelphi / 11. Janry / 1779.

Medium and dimensions

Pen, pencil and coloured wash including Indian yellow on laid paper (195 x 279)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 41
Harris, 1963, p. 56
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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