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  • image SM Adam volume 50/26

Reference number

SM Adam volume 50/26

Purpose

[6] Finished drawing for the south side of the great staircase, c1777, as executed

Aspect

Section showing the south side of the great staircase, with a part dog-leg staircase and landing shown, and with doorways at ground and first storey positioned to the left. At first-story level there is a central painted panel, flanked by medallions and festoons, and with a further ornamental panel containing an urn to the right. Above this there is a band of guilloche, and with the second storey as Adam volume 50/27

Scale

to a scale

Inscribed

South side of Great Staircase for Wormleybury / (and in the hand of William Adam) Sir Abraham Hume / 7th Article (?) 3 Sheets (pencil) / faint pencil inscriptions right side

Signed and dated

  • c1777
    c1777

Medium and dimensions

Pen, pencil, wash and pink wash within a single ruled border on laid paper (374 x 524)

Hand

Possibly
Office hand, with part title inscription in the hand of William Adam

Verso

Inscription obscured by paste to folio

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 31
Harris, 2001, p. 71
King, 2001, Volume I, pp. 16, 26, 127, 258-59
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).