[80] Final or near-final design, Plan of the Chamber Floor, 1810

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Moggerhanger, Bedfordshire: (executed) alterations and additions for Godfrey Thornton, 1790-1799 and Stephen Thornton, 1806-1811 (89)
    - Final or near-final design, 1810 (3)

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Reference number

SM 3/4/15

Purpose

[80] Final or near-final design, Plan of the Chamber Floor, 1810

Aspect

Plan of the Chamber Floor of Mogerhanger House

Scale

bar scales of ¼ inch to 1 foot

Inscribed

as above and Stephen Thornton Esq^re

Signed and dated

1810
1810

Medium and dimensions

Pen and sepia wash, pricked for transfer on thin wove paper (516 x 649)

Hand

Soane Office, draughtsman
Soane office hand, inscribing hand of George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60)
Bailey, George (1792--1860)
Soane office hand, inscribing hand of George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60)

Notes

Drawing 80 for the bedroom floor seems to be more up-to-date than say drawing 62 (January 1809). The best dressing room remains much the same as when it was first roughed out in July 1797 (drawing 10 verso) and in a survey plan of 1808 (drawing 40) though in drawing 80 it is (internally) more fully circular and the lobby outside is now semicircular on plan.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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