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Reference number
Purpose
Aspect
36 Longitudinal Elevation of Bridge and Longitudinal Section of Bridge
37 Plan of the Superstructure; Plan of the Partitions; Latitudinal Section; Latitudinal Elevation; elevation and plan of partition
38 copy of 35 verso, showing: a detail of the Base Molding to the Wings; detail of the Molding on the top of plinth to Balustrade / on the outside of Bridge; detail of the Cornice under the plinth of Balustrade / on the outside of Bridge; detail of the Molding on the top of Plinth / to Balustrade, inside of / Bridge; detail of the Rail to Balustrade; and section of partition with balustrade
Scale
Inscribed
36 as above, A.B.C. Moldings at large, Folio 147, William Praed Esqr, A, Gravel & Clay, B, C and some dimensions given
37 as above, William Praed Esqr, Cylinder (twice), 1:10½ (four times), 1:3, 3:0, Gravel & Clay, 3:6, 5:0
38 as above, half full size (four times), William Praed Esqr, lettered A to C (twice)
Signed and dated
- 22 February 1808
Feby 22nd 1808
Medium and dimensions
Hand
SOANE, Sir John (1754--1837), architect
Soane office and Soane
Watermark
Literature
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).