[2] Design for the ground storey of a house, possibly executed, c1786

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Robert and James Adam office drawings
- Town houses
  - London
    - Conduit Street, London, (unknown number), designs for a house, offices, and a garden porch, for Sir John Hussey Delaval, 1st Baron Delaval, possibly executed, c1786 (11)
      - Designs for a house, possibly executed, c1786 (8)

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Reference number

SM Adam volume 35/97

Purpose

[2] Design for the ground storey of a house, possibly executed, c1786

Aspect

Plan of the ground storey of a three-bay building, with the principal entrance to the right leading to a hall. Beyond this the front parlour has apsidal ends, which create an enfilade with the eating room beyond. The eating room has further apsidal compartments, with the rear apse forming the bowed rear front. Beyond the building, to a rear, there is a courtyard with a colonnade which contains a water closet. The courtyard links to the kitchen offices, which are shown to contain coppers, and is provided with stepped access to the basement level

Scale

bar scale of 1 inch to 5 feet

Inscribed

Plans of Lord Delavals House in Conduit Street (underwritten in pencil) / Plan of the Parlor Story / Parlor / Passage / Staircase / Eating room / Court / Kitchens and some dimensions given

Signed and dated

c1786
c1786

Medium and dimensions

Pen, pencil and pink wash on laid paper (285 x 471)

Hand

Possibly
Office hand, possibly Robert Morison

Verso

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, Volume II, Index p. 36
King, 2001, Volume I, p. 423
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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